| Unfinished Monkey Business | ||||
|---|---|---|---|---|
| Studio album by Ian Brown | ||||
| Released | February 2, 1998 | |||
| Recorded | Manchester/Chiswick Reach Studios, London | |||
| Genre | Alternative rock | |||
| Length | 53:02 | |||
| Label | Polydor | |||
| Producer | Ian Brown | |||
| Ian Brown chronology | ||||
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| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | [1] |
| NME | [2] |
| PopMatters | [3] |
| The Guardian | [4] |
| The Independent | [5] |
Unfinished Monkey Business is the debut solo album by Ian Brown released in February 1998 via Polydor Records. The album was self-financed and produced by Brown, and was his first album release since the break-up of The Stone Roses in October 1996. Ex-Roses members Mani, Nigel Ippinson, Aziz Ibrahim and Robbie Maddix helped pen and perform the instruments on many of the album's tracks. "Ice Cold Cube" which premiered at The Stone Roses final concert was officially released on this album.
Much of Unfinished Monkey Business focuses on the acrimonious split between Brown and former Roses' guitarist John Squire. Brown shares his unabashed opinion of his ex-bandmate on tracks like "Ice Cold Cube", "Can't See Me", "What Happened To Ya" and "Deep Pile Dreams", focusing in particular on John's self-centredness, two-facedness and dependence on drugs, specifically cocaine.
The track "Intro Under The Paving Stones: The Beach" was inspired by a slogan from the French May 1968 protests, an event that also inspired the song "Bye Bye Badman" from The Stone Roses. A popular protest slogan at the time, "Sous les pavés, la plage!" is translated into English as "Beneath the pavement, the beach!", and refers to the sand found under paving stones ripped up by rioters to use as projectiles aimed at the police.
The words 'I only ever wanted the one with the flag but all you ever wanted was a sixty dollar bag and a cheap limousine for your deep pile dreams on the highway' also appear in Babyshambles' second album, Shotter's Nation. As a result, Brown has songwriting credits on the track "French Dog Blues".
Many critics consider "Corpses in Their Mouths" to be Brown's best musical output in the 1990s.
Recording began in Brown's home studio and was completed at Chiswick Reach Studios in London.[6] Brown played most of the instruments himself.[6]
On the album's title, Brown stated "The press used to refer to me as 'simian lead singer'. My arms have always been too long for my body. But I've been called 'monkey' all my life, so I thought I'd keep that theme."[6]
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